Sentences with Audience, Sentences about Audience in English
1. The audience applauded the actress.
2. The audience buzzed with excitement.
3. The speech deeply affected the audience.
4. The audience consisted mainly of pupils.
5. The audience consisted mainly of students.
6. The audience consisted primarily of pupils.
7. The audience consisted primarily of students.
8. The audience applauded for a full five minutes.
9. The large audience clapped at the end of the song.
10. The captain and his crew are requesting an audience.
11. The audience was boring because of Abel’s presentation.
12. The audience fell silent when the conductor walked on stage suddenly.
13. We ran a mandatory sign in for a very small percentage of our UK audience.
14. Part of a designer’s job is to get to know the audience they intend on serving.
15. It requires wisdom to understand wisdom: the music is nothing if the audience is deaf.
16. Every baseball crowd, like every theatre audience, has its own distinctive attitude and atmosphere.
17. I don’t know what the secret to longevity as an actress is. It’s more than talent and beauty. Maybe it’s the audience seeing itself in you.
18. All three networks have always had a morning show but now cable of course is taking some of that audience away and a variety of other things, probably the Internet as well.
19. Never try to convey your idea to the audience – it is a thankless and senseless task. Show them life, and they’ll find within themselves the means to assess and appreciate it.
20. Never try to convey your idea to the audience – it is a thankless and senseless task. Show them life, and they’ll find within themselves the means to assess and appreciate it.
21. Def Leppard is obviously a different band that we are, but the music work well tighter. And the audiences seem work well together too. We are opening, but we’re having a good time.
22. But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That’s why I call it the most social of the various art forms.
23. You know those movies where the people in the audience are screaming, ‘Don’t go in that door!’ because you know the killer is there? Well, it is the same thing with this debt. We know how this ends.
24. The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
25. So far as I know, anything worth hearing is not usually uttered at seven o’clock in the morning and if it is, it will generally be repeated at a more reasonable hour for a larger and more wakeful audience.
26. Don’t make music for some vast, unseen audience or market or ratings share or even for something as tangible as money. Though it’s crucial to make a living, that shouldn’t be your inspiration. Do it for yourself.
27. Art is for anyone. It just isn’t for everyone. Still, over the past decade, its audience has hugely grown, and that’s irked those outside the art world, who get irritated at things like incomprehensibility or money.
28. I open with a clock striking, to beget an awful attention in the audience – it also marks the time, which is four o clock in the morning, and saves a description of the rising sun, and a great deal about gilding the eastern hemisphere.
29. Steven Spielberg is unique. I feel that the kinds of movies he loves are the same kinds of movies that the big mass audience loves. He’s very fortunate because he can do the things he naturally likes the best, and he’s been very successful.
30. Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
31. I think that’s what distinguishes Schmidt, really. In the movies now, so much of what is appealing to an audience is the dramatic or has to do with science fiction, and Schmidt is simply human. There’s no melodrama there’s no device, It’s just about a human being.
32. I did not want to be a tree, a flower or a wave. In a dancer’s body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being.
